General
Cohen, Louis Harris. The Cultural-Political Traditions and Developments of the Soviet Cinema 1917-1972. New York: Arno Press, 1974.
(PN 1993.5 .R9C6 1974)
Kenez, Peter. Cinema and Soviet Society, from the Revolution to the Death of Stalin. Cambridge: Cambridge U P, 2001. (processed at MRT)
Leyda, Jay.
Kino: A History of the Russian and Soviet film. Princeton, 1983. (PN 1993.5 .R9 L47 1983)
Kino: Histoire du cinéma russe et soviétique. (PN 1993.5 .R9L4714 1976)
Passek, Jean Loup. Le Cinéma russe et soviétique. Paris, 1981. (PN 1993.5 .R9 C525 1981)
Rimberg, John David. The Motion Picture in the Soviet Union: 1918-1952 A Sociological Analysis. New York: Arno Press, 1973 (ordered at the library)
Schnitzer, Luda. Histoire du cinéma soviétique 1919-1940. Paris,1979 (R) (PN 1993.5 .R9 S34 1979)
Taylor, Richard and Ian Christie (eds).
The Film Factory: Russian and Soviet Cinema in Documents 1896-1939. Cambridge, Mass.: Harvard U P, 1988. (ordered at the library)
Inside the film factory : new approaches to Russian and Soviet cinema. London ; New York, NY : Routledge, 1991. (PN 1993.5 .R9 I57 1991)
Taylor, Richard, et al. The Bfi Companion to Eastern European and Russian Cinema. (PN 1993.5 .E2 B44 2000)
Prerevolutionary film
Tsivian, Yuri.
Early Cinema in Russia and its Cultural Reception. Chicago: U of Chicago P, 1994. (PN 1993.5 .R9 T7713 1998)
Immaterial Bodies: A Cultural Analysis of Early Russian Films (CD-ROM - January 1, 2001)
Tsivian, Yuri, Paolo Cherchi Usai Silent Witnesses: Russian Films, 1908-1919 (
PN 1993.5 .R9 S55 1989)
Youngblood, Denise. Movies for the Masses. Popular Cinema and Soviet Society in the 1920s. Cambridge: Cambridge U P. 1992
(
PN 1993.5 .R9 Y6 1992
)
The 1920s
Gillespie, David. Early Soviet Cinema: Innovation, Ideology and Propaganda. London: Wallflower, 2000.
Liber, George O. Alexander Dovzhenko A Life in Soviet Film (
PG 3948 .D6 Z66 2002 )
Taylor, Richard. The Politics of the Soviet Cinema 1917-1929. Cambridge: Cambridge UP, 1979
(
PN 1993.5 .R9 T3 1979
)
The Stalin Period
Taylor, Richard. Film Propaganda : Soviet Russia and Nazi Germany (Cinema and Society) 1998
(
PN 1995.9 .P6 T39 1979)
Taylor, Richard, and Derek Spring (eds.). Stalinism and Soviet Cinema. London: Routledge, 1993.
(
PN 1993.5 .R9 S73 1993
)
The Late Soviet period
Woll, Josephine. Real Images: Soviet Cinema and the Thaw. London: I.B. Tauris, 2000.
(PN 1993.5 .R9 W65 2000)
Perestroika and Glasnost
Michael Brashinsky (ed.). Russian Critics on the Cinema of Glasnost. Cambridge Studies in Film, 1994.
(ordered at the library)
Faraday, George. Revolt of the Filmmakers: The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry. University Park, Pennsylvania: Pennsylvania U P, 2000. (
PN 1993.5 .R9 F27 2000 )
Lawton, Anna. Kinoglasnost: Soviet Cinema in Our Time. Cambridge: Cambridge UP, 1992.
(
PN 1993.5 .R9 L36 1992
)
Post-Soviet Russian film
Beumers, Birgit (ed.). Russian on Reels: The Russian Idea in Post-Soviet Cinema. London: Tauris, 1999.
(
PN 1993.5 .R9 R88 1999
)
Russian Film Theory
Eagle, Herbert. Russian formalist film theory. [Ann Arbor, Mich.] : Dept. of Slavic Languages and Literatures, University of Michigan, c1981. (
PG 13 .M46 V. 19 1981)
Lawton, Anna. Cinema and the Russian avant-garde: Aesthetics and politics (Occasional paper / Kennan Institute for Advanced Russian Studies)
Lotman, Iurii. Sémiotique et esthétique du cinéma (R) (
PN 1995 .L6414 1977)
Taylor, Richard (ed.). The Poetics of cinema. Oxford : RPT Publications in association with Dept. of Literature, University of Essex, 1982. (Translation of: Poetika kino / edited by B.M. Eikhenbaum.) (
PN 1995 .P58 1982 )
Zholkovsky, A.K. (ed.). Film theory and general semiotics. Somerton, Oxford :Holdan Books, 1981.
(
PN 1995 .F467 1981
)
Sergei Eisenstein
a) General
Amengual, Bathélemy. Que Viva Eisenstein! Paris, 1980 (
PN 1998 .A3 E533 1980)
Barna, Yon. Eisenstein. 1973. (
PN 1998.3 .E34 B27 1973)
Christie, Ian and Richard Taylor (eds.) Eisenstein rediscovered. London ; New York : Routledge, 1993.
(
PN 1998.3 .E34 E3385 1993
)
Christie, Ian and David Elliott (eds.). Eisenstein at ninety. [Oxford] : Museum of Modern Art Oxford, 1988.
(
PN 1998.3 .E34 E337 1988
)
Eisenstein, S.M.
Au-delà des étoiles. Paris, 1974 (R) (
PN 1998.3 .E34 A2514 1974)
Film Form. Film Sense. Lecons de mise en scene. Traduit du russe par Jacques Aumont. [Paris] : Fondation europeenne des metiers de l'image et du son, c1989. (
PN 1995 .E48 1968
)
Immoral Memories. La Non-indifférente Nature, 1. Paris, 1976. (
PN 1998.3 .E34 A3413 1983)
Notes of a Film Director. Selected Works. Edited and translated by Richard Taylor. London : BFI Publishing, 1988.
(
PN 1998.3 .E34 A3913 1970
)
Fernandez, Dominique. Eisenstein. Paris, 1975 (R)
Leyda, Jay and Zina Voynow. Eisenstein at Work. New York, 1982 (
PN 1998.3 .E34 L49 1982 )
Mitry, Jean. Eisenstein. Paris, 1978 (
PN 1998 .A2 C54 V. 4 1956)
Moussinac, Léon. Serge Eisenstein: An Investigation into his Films. Paris: Seghers, 1970
(
PN 1998.3 .E34 M6813 1970)
Nesbet , Anne. Savage Junctures : Sergei Eisenstein and the Shape of Thinking (KINO - The Russian Cinema) 2003
(
PN 1998.3 .E34 N38 2003 )
Seton, Marie. Eisenstein. Paris, 1952 (R)
( PN 1998.3 .E34 S4714 1957
)
b) Studies of films
The Complete Films of Eisenstein.London (
PN 1998 .A3 E567513 1974 )
October and Alexander Nevsky. London 1984 (
PN 1997 .E37713 1984)
October (Ten Days That Shook the World); Alexander Nevsky; The Battleship Potemkin. Lorrimer Classic Screenplay Series: Ungar
DVD00084
Tsivian, Yuri. Ivan the Terrible (BFI Film Classics: 2002.) (
PN 1997 .I773 T75 2002 )
Taylor, Richard. October (
PN 1997 .O17 T39 2002 )
Andrei Tarkovsky
Goulding, Daniel J. (ed.). Five filmmakers : Tarkovsky, Forman, Polanski, Szab—, Makavejev. Bloomington : Indiana University Press, c1994. PN 1998.2 .F555 1994 (
PN 1998.2 .F555 1994)
Johnson, Vida T. and Graham Petrie. The Films of Andrei Tarkovsky: A Visual Fugue. Bloomington: Indiana UP, 1994. (
PN 1998.3 .T36 J64 1994 )
Le Fanu, Mark. The cinema of Andrei Tarkovsky. London : BFI, 1987. PN 1998.3 .T36 L43 1987
(
PN 1998.3 .T36 L43 1987)
Turovskaya, Maya. Tarkovsky, cinema as poetry. Translated by Natasha Ward ; edited and with an introduction by Ian Christie. ( PN 1998.3 .T36 T87 1989 )
Bird, Robert. Andrei Rublev
Dziga Vertov
Tsivian, Yuri. Lines Of Resistance: Dziga Vertov And The Twenties 2005 (ordered at the library). |